The Desert Island Disc

Got this meme from J. Eric Smith and I couldn’t resist. This shit was TOUGH!

“Note the singular “disc” in the title…

“Over the years, the plural version of this title has been used to define some crucial number of albums that folks would take were they stranded on a desert island with only a lifetime’s supply of food and a record player.

“But in the iTunes era, most folks don’t listen to whole albums intact anymore, but rather listen to mixes of things from a variety of albums. So on the modern desert island, there’s you, a lifetime’s supply of food, a CD player, and a single mix CD, with standard music files on it (no cheating with compressed or otherwise altered files), meaning you have only 80 minutes worth of music to get you through to your dying day.

“What would your 80 minutes include? Feel free to reply and tag as you see fit. Geek out.”

Mine would be all songs of my own. I mean, I wrote them so I could listen to ‘em. But since the point is probably to pick other people’s tunes, it would look something like this (in no particular order… I’m assuming this CD player can shuffle):

Alternative TV, “Action Time Vision” (Song time: 2:33)

Three Dog Night, “Never Been To Spain” (3:46)

LaVern Baker, “Saved” (2:54)

Silver Jews, “Smith & Jones Forever” (3:18)

Junoon, “Saeein” (4:39)

Los Lobos, “Kiko and the Lavender Moon” (3:35)

Patrik Fitzgerald, “Safety Pin Stuck In My Heart” (2:42)

Esquivel, “El Cable” (2:18)

Laurie Anderson, “One White Whale” (2:03)

Led Zeppelin, “Bron-Y-Aur Stomp” (4:17)

Ramones, “Havana Affair” (1:34)

Roky Erickson & The Aliens, “I Walked With A Zombie” (3:40)

The Capris, “There’s A Moon Out Tonight” (2:14)

Big Poo Generator, “I’m Gonna Run Like The Wind Into Bathroom” (1:18)

Bill Haley and His Comets, “Stagger Lee” (2:00)

Bryan Thomas, “When” (2:35)

Kiss, “Tomorrow and Tonight” (3:06)

Beach Boys, “Surf’s Up” (4:07)

“Hair” original cast, “Frank Mills” (2:07)

Suzanne Vega, “In Liverpool” (4:40)

Pink Floyd, “Arnold Layne” (2:55)

Into Another, “Underlord” (4:00)

The Upper Crust, “Rock N’ Roll Butler” (3:49)

Yaz, “Bad Connection” (3:21)

The Dead Milkmen, “Punk Rock Girl” (2:38)

The Beatles, “Being For The Benefit Of Mr. Kite” (2:37)

Eddie and the Showmen, “Mr. Rebel” (1:53)

Disclaimer: for the sake of maxing out the variety, since I’m apparently to listen only to this disc for the rest of my life, I gave shorter songs preference over longer ones. So these are not necessarily my favorite 27 songs; they’re my favorite 27 songs that would fit on an 80-minute disc.

Total time 80:39. If I REALLY have to get it down to exactly 80 minutes or less, then I guess I can hum Big Poo Generator to myself for all eternity!

 

‘You Are Boring The Shit Out Of Me’

The Hanslick Rebellion’s second-finest hour. But those sideburns… what the hell was I thinking?

Get the song.

 

‘Two-Thirds’

It was the spring of 1995. My pal Joe Student wanted to collaborate on a tune. He was feeling midlife crisisey (even though I’m pretty sure he was younger than I am now) and asked me to write a lyric with his emotional state in mind.

Now that I think about it, Joe was feeling THIRD-life crisisey. As in slightly over quarter.

Joe came up with this really cool keyboard lick, I sequenced a drum program with some classic ’90s STATIC BURSTS, and we had us a song called “Two-Thirds”. We went into the production studio at WCDB Albany and recorded it on the radio station’s 1/4″ reel-to-reel four track.

In honor of Joe Student’s birthday, I present “Two-Thirds” in its current state – which happens to include some guitar Reeves cut last week.


This rough mix features Reeves Gabrels on guitar, Anton Fig on drums, Graham Maby on bass, Joe Student on synth, and my vocal, keys (the piano and marimba sounds) and electronic percussion (the aforementioned STATIC BURSTS!). Drums, bass and guitars were recorded directly over the original 1995 recording, which was bounced into Pro-Tools from tape by Joe himself. I’d still like to replace the fake piano and marimba with real ones, and the vocal desperately needs to be recut.

I’ve always liked this song very much; the only reason I didn’t revisit it sooner is because Joe and I wanted to get more material together eventually and make a project out of it. Perhaps that’ll happen yet, but not with “Two-Thirds” ’cause it’s going on my Small Sacrifices album. I do think the tune holds up; as I’ve hit the third-life-crisis point myself, I’ve discovered that the lyric was even reasonably prescient. And Joe’s synth melody is fantastic.

Happy birthday, Joe!

 

Doret wins again!

Rock and Roll Over; album art by Michael DoretCongratulations to the great Michael Doret (illustrator of the album cover on the right), whose Canter’s-inspired Deliscript typeface was named one of the year’s 16 best new fonts by the Type Directors Club. Seems like this sort of thing happens to Michael fairly often.

It just so happens that MD and I are working on something pretty cool. Details to come.

 

‘Born Asking For It’

Here’s another track we worked on while Reeves was in town.


Jeebus is where I go to make the extra-nasty, extra-heavy music.  The band features Reeves Gabrels on one guitar, Alex Dubovoy on the other, Mike Keaney on the bass, yours truly on keys and vocals, and Joe Abba on drums (and in the case of “Born Asking For It”, the Egyptian hand drum).

This is a rough mix… please understand that my rough mixes can make the most sonically breathtaking recording sound like an M.O.D. album circa 1987. As far as tracking goes, this feels about finished to me.  I might double my falsetto vocal in the bridge before we mix.

I don’t like people with entitlement issues.  I’m aware that you’ll likely find such people wherever you go, but Brooklyn seems to have extra.  And that’s why I wrote this song, YAY!

 

No fucking way.

Brennan brings some weird swag home from work.  But she’s outdone herself this time.  I’m pretty sure she has discovered the ugliest shirt in the world.

Why would anybody wear this?

 

Hi there

Welcome to the Song Foundry. There’s a lot of music here, so if you don’t feel like reading a bunch of bloggy crap just click the MUSIC tab at the top of the page. I’ve unleashed 17 albums and you can listen to them all on demand. Do your best Bruce Dickinson: STREAM FOR ME!

Don’t know where to start? Try playing one of the five songs in the sidebar under “LISTEN TO THIS”. If you like what you hear, click the name of the song to get more.

The Cutting Room Floor

The music library’s been up for a couple weeks now; as of today there’s a new addition: The Cutting Room Floor. It’s so new, it’s not even out yet… but I put it up here for ya. You’ll be able to get the album on vinyl later this year – I could never squander such a gorgeous piece of Victor Moscoso art by confining it to 300 pixels by 300 pixels forevermore – but the music is with us now, so please have it.

In addition to the hundreds of finished recordings on the other side of that MUSIC tab, I plan on sharing work in progress right here in the blog. It takes me a long time to get a record done; here you’ll learn why.

Right now I’ve got a couple of albums working. One is called Small Sacrifices Must Be Made! It’s an eleven-song solo album, on which I’m joined by a stellar band: Reeves Gabrels on guitar, Graham Maby on bass and Anton Fig on drums. Reeves was just here in Brooklyn for a week, and we got all the guitars done.

Wanna hear a rough track? This one’s called “Lose Me Forever”.


In addition to Anton, Reeves and Graham, “Lose Me Forever” recording features Bruce Kaphan on the pedal steel and Stevie Blacke, one-man string section. My vocal and keyboards are scratch (that hissing noise is on the vocal track).

I’m also working on a new Skyscape album (entitled Dr. Des Moines) with my longtime comrade Domenic Maltempi. Reeves sprayed scalding guitar all over this very raw track, “Swerve Griffin Moods”.


“Swerve Griffin” obviously still needs drums and bass, backing vocals, more keyboards and some rhythm guitar.

I’ll have more on these pieces of music later, and maybe I’ll also write a bit about why I’ve returned to blogging. But now it’s 3am and I’ve been working on this site since dinnertime with the saintly Nick Edwards, who coded the WordPress template from my exacting design and then sat patiently and competently as I bade him tweak every pixel of it in the ensuing 8 hours. Nick is a gentleman whom I cannot thank enough.

And I thank YOU for coming by. I hope you’ll be spending a lot of time here with me. Whatever you’re doing online (or off), let the Song Foundry provide your soundtrack!

 

JD and AD vs. Prince

Alex and I did an awesome cover of “Purple Rain”. Here’s proof:

SUNY Albany Campus, May 4, 1996. Filmed by Crazee Joe Slevin.